| Photo: Richard Butler |
We’re coming up on the end of the year, but are hard at work on getting a few more reviews done by 2025. In case you missed a thing or two here and there, here’s a recap of the reviews and testing we’ve done this year so far!
Sony’s ZV-E10 II is a stripped-down version of its APS-C flagship, the a6700, with a focus on vlogging. As such, our review mainly takes the form of a video, which you can watch above.
Read the review
| Photo: Richard Butler |
Throughout our tests, the Nikon Z6III proved to be an incredibly capable camera at its price point. Its 24MP ‘partially-stacked’ sensor provided plenty of detail while also reading data out at a much higher speed, allowing for fast burst rates and video shooting with little risk of rolling shutter. We also appreciated its honed ergonomics and bright, high-resolution viewfinder.
Be sure to check out our Z6III sample gallery as well.
Read the review
| Photo: Mitchell Clark |
Panasonic’s 18-40mm F4.5-6.3 collapsable lens is meant to be an ultra-lightweight and compact companion to the company’s S9 camera and is now being sold as a kit with the creator-focused offering.
See the sample gallery
| Photo: Mitchell Clark |
The X-M5 is an entry-level offering from Fujifilm focused on vlogging and content creation. It’s based around the company’s 26MP X-Trans sensor and comes equipped with a film simulation dial, AI-trained subject detection autofocus and – unlike many other vlogging-focused options – a mechanical shutter.
You can also view the sample gallery we shot with the X-M5.
Read the initial review
| Photo: Richard Butler |
Another product Fujifilm launched in October was a second-generation of the company’s 16-55mm F2.8 lens. It’s essentially an APS-C version of the venerable 24-70, but unlike the first generation, the XF16-55mm F2.8 II is actually around 1/3 lighter than many of its full-frame counterparts. Its smaller size and weight convinced editor Richard Butler to take a preproduction copy with him on vacation to the UK, which gave him the opportunity to capture an incredible sample gallery.
See the sample gallery
| Photo: Dale Baskin |
DPReview editor Dale Baskin has had the Lowepro Photo Sport 300 AW II for over 10 years and has put thousands of miles on the pack during his adventures across the planet. Given that it’s still going strong and that you can still pick one up today, we decided it was time for a review.
Read the review
| Photo: Mitchell Clark |
Google’s flagship folding phone uses a different camera setup than the regular Pixel 9 Pro, so we shot a separate gallery to get a feel for what kind of performance you can expect from a phone that costs $1,800. Our sample guide article also discusses the experience of shooting with a phone that has a foldable 8″ screen.
See the sample gallery
| Photo: Mitchell Clark |
Sigma’s 28-105mm F2.8 DG DN Art is a lens for L-mount and Sony E-mount that’s surprisingly compact given its focal range and maximum aperture. We got the chance to shoot with it on a holiday weekend at Glacier National Park.
See the sample gallery
| Photo: Dale Baskin |
Another lens released in September was the Hasselblad XCD 20-35mm F3.2-4.5 E, an ultra-wide zoom lens for the company’s medium-format cameras. Our sample gallery was shot in Washington, DC and Oregon, giving us an idea of how the lens performs when shooting architecture and landscapes.
See the sample gallery
| Photo: Richard Butler |
Canon’s EOS R5 II is the company’s latest high-end, full-frame mirrorless camera with a Stacked CMOS sensor and many of the autofocus features of the company’s new flagship R1 model. It’s so feature-rich that, in some ways, it was a struggle to review it; it’s a tool for so many different types of photographers that it was nearly impossible for us to put ourselves in all those shoes. However, it’s still clear that the EOS R5 II is an extremely capable camera for most use cases.
Read the review
| Photo: Richard Butler |
The Leica Q3 43 is essentially what it says on the tin: a Q3 with the 28mm fixed lens replaced by a 43mm one, giving the camera a ‘normal’ focal length that some photographers will find more pleasing. The built-in lens is almost shockingly sharp, and the package as a whole is an impressive and premium photographic tool – as you would hope, given the $6895 price tag.
You can also view our Q3 43 sample gallery.
Read the review
| Photo: Dale Baskin |
Sigma announced the second generation of its 24-70mm F2.8 DG DN Art lens in May, and we were able to shoot with it on our trip to Japan. However, we wound up publishing our sample gallery in August, as we wanted to ensure that the sample we’d used was representative.
See the sample gallery
| Photo: Dale Baskin |
We shot a sample gallery with Google’s latest flagship smartphones, making sure to test out each of the three cameras, as well as the night mode. Spoiler alert: the gallery isn’t the last time Glacier National Park will feature in one of our tests.
See the sample gallery
| Photo: Richard Butler |
The Fujifilm X-T50 is a classically-styled mid-level APS-C mirrorless camera that uses Fujifilm’s stabilized 40MP X-Trans sensor. We found that it’s an excellent choice for those looking to learn the art of photography, or who want to upgrade from a smartphone – as long as they have some cash to spare.
You can also browse the sample gallery we shot with a production model.
Read the review
| Photo: Dale Baskin |
This summer, Sony released the second generation of its FE 85mm F1.4 GM lens, which weighs around 20% less than the first-generation model. We shot a sample gallery with it and were generally impressed with how sharp the results were.
See the sample gallery
| Photo: Richard Butler |
The Leica D-Lux 8 is an updated 17MP enthusiast zoom compact camera, with a switch dedicated to taking different crops of its Four Thirds-sized sensor. It definitely comes at a premium price, but it’s also one of the last enthusiast compacts left on the market.
While writing our initial review, we also shot a sample gallery with it.
Read the initial review
| Photo: Mitchell Clark |
The Sigma 18-50mm F2.8 DC DN itself isn’t new this year, but the version for Canon’s RF mount is. It fills a gap in the lineup of fast standard zooms that made sense for Canon APS-C cameras, making them a little easier to recommend.
See the sample gallery
| Photo: Dale Baskin |
In July, Canon announced the EOS R1, a new high-end sports and photojournalism camera and the company’s first mirrorless camera to bear the 1-series label. It features a 24MP stacked full-frame sensor and can shoot up to 40fps in E-shutter mode.
While attending Canon’s North American launch event for the EOS R1, we took a sample gallery using a preproduction model.
Read the initial review
| Photo: Dale Baskin |
Alongside the EOS R1, Canon also announced the EOS R5 II, an update to its high-end, high-resolution hybrid camera. Like the EOS R1, it features sports-focused Action Priority autofocus modes, which is why the sample gallery we shot with a pre-production model features plenty of basketball pictures.
See the sample gallery
| Photo: Richard Butler |
The Sigma 28-45mm F1.8 DG DN is a wide-to-medium zoom lens for E-mount and L-mount cameras.
We were able to test it out throughout the UK, from downtown London to the serene countryside.
See the gallery
| Photo: Dale Baskin |
Panasonic’s GH-line of Micro Four Thirds cameras has historically been focused on video shooters. While the GH7 is no exception, it also has a surprisingly complete suite of photography features.
In addition to our initial review, we also released an initial impressions video.
Read the initial review
| Photo: Richard Butler |
In June Nikon announced the Z6III, a full-frame camera designed for hybrid shooters and featuring a 25MP ‘partially-stacked’ sensor. It can shoot Raw video internally, and has a higher-resolution sensor than its predecessor.
We shot a video breaking down what’s new with the camera and a sample gallery with a preproduction model on a fairly typical spring day in Seattle.
See the sample gallery
| Photo: Dale Baskin |
The Pentax 17 is perhaps an unusual product for DPReview to cover, given that it’s a film camera. However, it was hard to pass up the opportunity to review the first new film camera we’ve seen from a major manufacturer in decades.
The Pentax 17 takes half-frame photos, letting you squeeze double the shots out of any given roll of film – a sign of the times in an age where film prices have only been going up.
Read the review
| Photo: Richard Butler |
The Fujifilm X100VI is a photographers’ fixed-lens camera that combines a stabilized 40MP APS-C sensor with a 35mm equivalent F2 lens.
We had plenty of good things to say about it when we published our in-depth review in May, but even months later, it’s still not easy to buy one. Still, give the full review a read so you know whether you want to jump on the opportunity to get it if one ever shows up – or to just live vicariously through us.
Read the full review
| Image: Mitchell Clark |
Japan is one of our favorite places to shoot sample galleries, especially when it’s raining. We got the opportunity to do one for Google’s budget phone while visiting the country to cover the launch of the Panasonic S9.
See the sample gallery
| Photo: Jose Francisco Salgado |
After Sigma’s announcement of the astrophotography-focused 15mm F1.4 DG DN Art, we teamed up with photographer José Francisco Salgado to put it through its paces in the Canadian sub-arctic.
See the sample gallery
| Photo: Jeff Carlson |
The Fujinon XF16-50mm F2.8-4.8 R LM WR is Fujifilm’s second-generation premium kit zoom, and we were able to take preproduction samples in Stockholm, Sweden.
See the sample gallery
| Photo: Richard Butler |
The Sony A9 III is the company’s latest high-end sports/action photography camera, with a 24MP global shutter.
In our in-depth review, we found some image quality trade-offs, but in return, you get the ability to shoot at 120fps without fear of banding.
Read the review
| Photo: Dale Baskin |
The Panasonic S9 is a full-frame camera designed specifically with content creators in mind. It has a dedicated button to select a LUT (look up table) to quickly change the look of footage or pictures in-camera.
Alongside our initial review, we published a sample gallery largely shot in Osaka, Japan, which now includes Raws and images with LUTs applied.
Read the initial review
| Photo: Richard Butler |
In May, Fujifilm announced the X-T50, an APS-C camera aimed at beginners, featuring a dial dedicated to controlling the company’s ‘film simulation’ color profiles. At launch, we published our initial review, first look video and a sample gallery taken with preproduction hardware.
See the sample gallery
| Photo: Richard Butler |
The Panasonic S5II had the unfortunate luck of landing in our office right about the time we found out that our parent company planned to close DPReview in 2023, so it never went through our regular review process. We’ve been looking for an opportunity to review it ever since we joined forces with Gear Patrol last summer and finally found the time.
The timing turned out to be good: Panasonic was able to provide us with an early version of the camera’s new firmware (v3.0), so we were able to test it with the latest features. Read our review to find out why we think this camera is such a great all-around performer for enthusiasts and pros alike.
Read the review
| Photo: Shaminder Dulai |
The Sony FE 16-25mm F2.8 G is a relatively compact wide-angle zoom lens aimed at street and travel photographers.
We were able to get our hands on the lens for a day and figured most readers would be curious to see some examples of street and architectural photography, so we hit the streets of downtown Seattle and ducked into the Seattle Public library when the weather turned ugly.
See the sample gallery
| Image: Dale Baskin |
The Viltrox AF 40mm F2.5 Z is a full-frame lens for Nikon Z-mount cameras.
We were able to test it out in Seattle and Oregon, testing the normal lens in a variety of lighting situations.
See the sample gallery
| Photo: Eric Limer |
Sony’s FE 24-50mm F2.8 G is a fast, compact walk-around lens for its full-frame E-mount cameras. We took it out in snow and sun in New Jersey to put it through its paces.
In practice, we found that it makes for a light and portable package with convenient and satisfying hands-on controls and quick and quiet focus.
See the sample gallery
Buy now:
| Photo: Richard Butler |
The Leica SL3 is a 60MP DSLR-shaped mirrorless camera built around Leica’s L-mount. It brings a lot of technology from the Leica M11 models but also features a radically redesigned interface. In March we published our initial review.
Read the review
| Photo: Dale Baskin |
Panasonic’s newest zoom lens, the Lumix S 28-200mm F4-7.1 Macro OIS, is so small that it just begs to be used for travel, so we took it on a trip to Japan to see if it lives up to its promise. It proved to be an outstanding choice, allowing us to cover a wide range of focal lengths without ever feeling like we were dragging around too much gear. We were pretty pleased with the optical performance, too.
See the sample gallery
| Photo: Brendan Nystedt |
As we enter the final phase of our Panasonic Lumix DC-G9 II review, we’ve added the test scene images to our image comparison tool.
See the studio scene
| Photo: Carey Rose |
We updated our Sony a9 III sample gallery to include more sports and to get a feel for how effective its global shutter sensor is when combined with subject-detection autofocus in a variety of scenarios. And just to be safe, we also included some low ISO landscape images for those who want to evaluate image quality for other types of photography.
See the sample gallery
| Photo: Dale Baskin |
We were working on our review of the Panasonic S5II when it came time for our annual trek to Yokohama, Japan, for the camera industry’s annual CP+ trade show, so we took along the S5IIX for some additional testing. It was a joy to shoot and it did a great job of capturing the color and texture of Japan, from the streets of Tokyo to snow monkeys near Nagano. It also proved that its weather sealing was up to the task, operating for hours in pouring rain without missing a beat.
See the sample gallery
| Photo: Brendan Nystedt |
The Panasonic G9 II is the first Panasonic Micro Four Thirds camera to include phase detect autofocus and is based on the same body as the full-frame S5 II. It also comes with a surprisingly long list of video features. Read our full review to find out what we liked and what we didn’t.
Read the review
| Photo: Jeff Carlson |
The Sigma 50mm F1.2 DG DN Art is a comparatively lightweight prime lens aimed at travel, portrait and street photographers. Contributing editor Jeff Carlson immediately jumped on the opportunity to shoot a sample gallery with this lens, capturing spring cherry blossoms, portraits and some low-light photos for good measure.
See the sample gallery
| Photo: Dale Baskin |
We had an opportunity to try a pre-production version of Nikon’s new 28-400mm F4-8 superzoom lens shortly before it was announced. Let’s just say this lens really intrigues us, and we can’t wait to get our hands on a production copy for more testing.
See the sample gallery
| |
| Image: Hasselblad |
Hasselblad’s CFV 100C medium format digital back brings most of the features of the X2D 100C to smaller form factor that’s compatible with a wide range of cameras from the company’s history. We paired it with a 907X camera / lens adaptor and XCD 28mm F4.0 and XCD 90mm F2.5 lenses to shoot a sample gallery.
See the sample gallery
Buy now:
| Photo: Dan Bracaglia |
After getting our hands on it, we can say that, as far as what’s currently available for Sony shooters wishing to dabble in the Nikon realm, there is no better option on the market than the Megadap ETZ21 Sony E-mount to Nikon Z-mount lens adapter.
Read the review
Buy now:
| Photo: Richard Butler |
Nikon’s Zf is a full-frame mirrorless camera with classic styling, built around a 24MP BSI CMOS sensor. It’s designed to mimic the look of the company’s FM2 SLR from the early 1980s, meaning it effectively becomes a full-frame counterpart to the company’s Z fc APS-C camera. In February, we updated our review with a video reel and impressions.
Read the review
Buy now:
| Photo: Richard Butler |
As we complete our Panasonic Lumix DC-S5 II review, we’ve run the camera through our recently revitalized studio test scene to see how it performs against the competition.
See the results
Buy now:
| Photo: Richard Butler |
February finally brought us the X100VI, a photographers’ fixed-lens camera that combines a stabilized 40MP APS-C sensor with a 35mm equivalent F2 lens. We had it day one, and have published our initial review along with a sample gallery. Unfortunately, those won’t help you actually find one to buy.
Read the review
See the sample gallery
Buy now:
| Photo: Shaminder Dulai |
The OM System OM-1 Mark II is a high-speed Micro Four Thirds camera based around a 20MP Stacked CMOS sensor. As the name implies, it’s an updated version of the flagship OM-1, with a series of hardware and firmware improvements. In February we published a sample gallery to update our initial review.
See the sample gallery
Read the initial review
Buy now:
| Photo: Richard Butler |
The Sony a9 III is the company’s latest high-speed pro sports camera. It features a Stacked CMOS sensor capable of shooting at 120 fps and able to read all its pixels out simultaneously: the long hoped-for ‘global’ shutter. Our studio scene analysis shows that it comes at a cost.
Read the review
Buy Now:
| Photo: Shaminder Dulai |
Panasonic’s Lumix S 100mm F2.8 Macro is a full-frame L-mount lens that’s designed to be compact and lightweight, coming in at 82mm (3.2″) long and 74mm (2.9″) in diameter and tipping the scales at 298g (10.5 oz). Hands-on, we can confirm it is very tidy and light.
See the sample gallery
Buy now:
| Photo: Dan Bracaglia |
Sony’s 16-35mm F2.8 GM II lens is smaller, lighter and more capable than its predecessor. Optical improvements come in the form of better corner-to-corner sharpness and a new close-focus distance of just 22 cm.
See the sample gallery
Buy now:
| Photo: Jeff L Carlson |
When we published our iPhone 15 Pro Sample Gallery, we didn’t yet have an iPhone 15 Pro Max model in hand. In addition to boasting a larger 6.7-inch screen, the Max differentiates itself by having a 5x (120mm equivalent) telephoto camera with a clever tetraprism design. The iPhone 15 Pro’s telephoto camera, meanwhile, shares the same 3x (77mm equivalent) field of view as the iPhone 14 Pro. Is the extra reach worth the bigger physical size and higher cost?
See the sample gallery
Buy now:
| Photo: Shaminder Dulai |
The Canon EOS R100 is an ultra-compact 24 Megapixel APS-C mirrorless camera with an RF mount. It is the cheapest way to enter Canon’s mirrorless ecosystem, offering more flexibility than a smartphone.
Read the review
Buy now:
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