In the 1950s, we also saw the skinny scarf in patterned fabrics, shorter lengths, and more taut styling — perhaps looped around the neck twice, like a choker, with a bow to play up a colourful poodle skirt. Kostis mentions the skinny scarf’s symbolic references in the 1960s, when it was a nod to mod subculture, especially in splashy geometric prints, which could be interpreted as a rejection of conventional styles at that time. And even later, we saw it during the bohemian rocker move of the ’70s — a look implemented by Moss into the late ’90s — with the scarf nonchalantly thrown over a blouse, and a peek of lingerie, seemingly as an afterthought.
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